{"id":1052,"date":"2006-01-22T03:52:57","date_gmt":"2006-01-22T07:52:57","guid":{"rendered":"http:\/\/broadwayfillmorealive.org\/2.0\/2006\/01\/22\/tell-me\/"},"modified":"2006-01-22T03:52:57","modified_gmt":"2006-01-22T07:52:57","slug":"tell-me","status":"publish","type":"post","link":"https:\/\/broadwayfillmorealive.org\/2.0\/2006\/01\/tell-me\/","title":{"rendered":"TELL ME"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" height=\"100\" hspace=4 src=\"https:\/\/i0.wp.com\/www.buffalocentralterminal.org\/store\/thumbs\/brianreszel02.jpg?resize=147%2C100\" width=\"147\" align=right vspace=4 border=0>Inspired by the loathsome condition of the historic yet neglected Buffalo Central Terminal, Greg Wojda, a longtime cog in the local music scene, spearheaded a remarkable charity album in &#8220;Bring it Back to Life,&#8221; a compilation of 16 original bands with net proceeds going toward restoration of the terminal. Tonight marks the release of the album with a fund-raising party at Club Infinity, 8166 Main St., Clarence, featuring performances by contributors the Feast, the Filter Kings, McCarthyizm, Breakerbox and No Effect. Doors open at 7 p.m., and tickets are $8 presale, $12 at the door.<\/p>\n<p>Bracing for the bash at his home in Lancaster, Wojda waxed poetic about the collective effort. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inspired by the loathsome condition of the historic yet neglected Buffalo Central Terminal, Greg Wojda, a longtime cog in the local music scene, spearheaded a<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_links_to":"","_links_to_target":""},"categories":[1],"tags":[],"class_list":["post-1052","post","type-post","status-publish","format-standard","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1Wcy1-gY","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/posts\/1052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/comments?post=1052"}],"version-history":[{"count":0,"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/posts\/1052\/revisions"}],"wp:attachment":[{"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/media?parent=1052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/categories?post=1052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/broadwayfillmorealive.org\/2.0\/wp-json\/wp\/v2\/tags?post=1052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}